How marketers at FX, Paramount and Criterion feel about experiential at SXSW

Brynn Brewer got in line around 9:30 a.m. last Saturday morning behind dozens of others — some of whom got there as early as 6 a.m. to be near the front of the line — for the chance to experience the Criterion closet like the filmmakers and artists featured on the entertainment company’s YouTube channel. The South by Southwest experience to Brewer, a content producer at Chubbies Shorts, felt like an “organic activation” and “more like an interactive art installment.” 

Brewer isn’t alone in her assessment. The three women around her in line shared similar sentiments, noting their love of classic film, while shielding themselves with an umbrella from the heat of the Austin, Texas sun. To them, the three minutes allotted to each group to enter the mobile Criterion closet truck, peruse the classic films featured in the collection, pick out a few of those films to take home on Blu-ray and talk about why they matter (as well as get a Polaroid of themselves in the closet) was worth the wait. 

As marketers, agency execs, filmmakers and musicians returned to Austin this past week for SXSW — which runs until March 15th — so too have the brands like Criterion, FX, Paramount, Amazon and Alaska Airlines with various experiential activations on the ground. In the past, marketers believed that having an experience was a must and brands faced irrelevancy without one. Now, after having experienced the shutdown of experiential efforts during the pandemic, marketers, agency execs and attendees believe experiential at SXSW (and elsewhere) shouldn’t solely be about relevance, but to give attendees a real way to interact with the brand.

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Brands bet on sustained enthusiasm for women’s basketball ahead of March Madness

The climax of the college basketball season is almost upon us. Most know it as March Madness.

Basketball observers are hoping the next Caitlin Clark will emerge during this year’s March Madness tourney. For the media world, it’s another chance to see how brands like Experian, State Farm, Priceline and longtime sponsor Powerade adapt to shifting viewer habits like the years-long migration from linear to streaming viewership, and mass audiences’ embrace of the women’s game.

According to Nielsen NBA audiences on ABC and ESPN have largely flatlined this season, down 1% year-on-year, while TNT’s are 14% lower — apparently a casualty of dwindling cable usage in the U.S — collectively, NBA audiences are down 5%. But the NCAA’s spring tournament typically attracts significant numbers of casual viewers over its three-week run, thanks in part to thousands of office betting pools around the tournament that draws their attention.

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