Inside the newsroom push to turn print reporters into video talent

Publishers have largely accepted that reaching new audiences increasingly means making more video. Now comes the harder part: re-engineering newsrooms so reporters and editors behave less like byline-only journalists and more like on-camera video correspondents and creators.

That shift is prompting a wave of experimentation in how publishers train and support their staff. Some are building formal “talent labs” with structured coaching and workflows. Others are taking a looser approach, simply putting more journalists in front of a camera and iterating from there. 

It’s a necessary investment for publishers as people change how they find and consume news, driven by social platforms and AI search. These initiatives show video is no longer a side project within newsrooms, but a core editorial format. Researchers for the Reuters Institute’s 2026 Digital News Report found that audiences now get more news from social media and video platforms than from news sites or publishers’ own apps.

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‘Future of targeting’: Media agencies tentatively explore vector-based planning

For some media agency executives, it’s the “future of targeting.” Others say it’s a theory that will only get you so far. Though the case studies remain unwritten, agencies like WPP are already running early-stage vector-based targeting solutions in key markets, including the U.S., while peers at Dentsu see it as the natural next step for contextual targeting.

“It’s becoming more widespread,” said Alex Steer, chief data officer, WPP data & technology solutions. “We expect to see it growing.”

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Vector-based targeting uses similar ideas to those underpinning lookalike or contextual targeting. It refers to the practice of finding an audience based on a combination of several different pieces of information, like the different “dimensions” to a coordinate, rather than targeting using keywords.

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