What we’ve learned from the creator snafus at this year’s US Open

The tennis US Open drew massive crowds to New York-based stadiums and record views in the last week. For example, ESPN’s opening day coverage was up 13% YoY. But the 2026 U.S. Open also put a major spotlight on how fans think creators should participate in these sporting events. 

This year, the United States Tennis Association (USTA) invited around 100 credentialed creators to attend matches. That’s nearly double the amount of creators invited in 2025, the first year USTA launched its creator cohort, which gave the program structure: instead of creators attending solely by way of brand tickets and invitations, it gave creators credentials and brands a list of attending creators. USTA was quoted last year saying the cohort generated more than 5.5 million social engagements.

But there’s been some serious backlash. During Naomi Osaka’s opening match on August 31, play was temporarily stopped after several people in a hospitality suite took flash photos during play. A viral video showed a woman using a ring light to take pictures of herself mid-match. ESPN reported the creators in question were not USTA credentials, but that didn’t take the heat off creators. 

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As Google’s ad tech case nears its end, the antitrust fight moves to AI

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Google lost to the Justice Department twice in the last 12 months and was ruled a monopolist in both its search and ad tech practices; while the final shoe has yet to drop in the latter case, observers feel it got off lightly.

That’s because, in both cases, Google avoided forced divestiture of its industry-dominant web browser Chrome and its market-leading ad exchange and ad server, with judges opting instead for behavioral remedies.

In the latter case, the parties are understood to be in negotiation over final behavioral remedies – these are expected in the coming days – but for many industry observers, the results have been deeply disappointing.

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